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Saturday, November 30, 2013

Hitler and Germany had a major impact on Hollywood in the 1930's, a studios bent over backward to assure a presence in the largest film markets in the world, and access to German made films and stars, once Germany pulled out of a crippling recession.

How does this compare to today's bending over backward by studios to invest in, please and profit from China?

Afterall, the remake of "Red Dawn" was retooled to changed the already filmed enemy from a believable China to North Korea, with all logos and uniforms digitally altered to please the Chinese government. And there are many other examples.

And filmmakers are adding scenes or deleting plots from films they hope to screen in China's rapidly growing film market.

Disney, Universal, Dreakworks and others are all building major studios and theme parks in China and areas controlled by China.

Are we giving up too much of our identity, our independence, to please foreign markets and foreign politicians.


First Published June, 2013

Friday, November 29, 2013

Search Roger Eberts Journal and Reviews...




Roger Ebert became film critic of the Chicago Sun-Times in 1967. He is the only film critic with a star on Hollywood Walk of Fame and was named honorary life member of the Directors' Guild of America. He won the Lifetime Achievement Award of the Screenwriters' Guild, and honorary degrees from the American Film Institute and the University of Colorado at Boulder.


http://www.rogerebert.com/rogers-journal


Use the Journals

Communication, Media, Culture, Sociology and other journals cover the subjects of Media and Culture, Film and Communication.

They are available through the library.

Use these in any classroom or course writing as juried / academic sources.


Thursday, November 28, 2013

Las Vegas 1962


Las Vegas 1962 from Jeff Altman on Vimeo.

1962 Las Vegas Captured in a Dazzling 16mm Home Movie

 

By Kasia Cieplak-Mayr von Baldegg, Editor, Atlantic Magazine
 
Jeff Altman, a professional film colorist in Chicago, revived his grandfather's beautiful 16mm Kodachrome footage from a trip to Las Vegas in 1962. It's an amazing time capsule of a city that looks very different today. Altman tells the story of how he gave the film a second life on the Internet in an interview below.

Who shot the footage? How did you end up with it? 

My grandfather shot all of the "archival" movies I have put up on the Internet. He was a veteran and a Chicago cop who was an enthusiast for 16mm film, opposed to 8mm which was more of the norm for home movies. It was an expensive hobby, which apparently lead to quite a few arguments with my grandmother over its costs.

The timeline as far as how I obtained the footage is a little long. My grandparents have always lived out of state during my upbringing (I've always lived in the Chicago area). My grandfather died about 11 years ago, and some five years later my grandmother moved back to Chicago to be closer to the rest of the family. When she moved back, she was getting rid of a lot of stuff she didn't need anymore. I was in film school at the time, and rather than throw it out or give it to charity or something similar (she, or anyone else in my family, didn't know what to do with it), she gave me several large boxes of his film, a projector, and his 16mm camera.

I stowed the stuff away for another four years, because I knew enough at that time how much care that sort of stuff needs and I would have probably destroyed it if I had tried to project it. Fortunately, career wise, I wound up working at a post-production company, specializing in color correction and film transfers. Being able to do all of the restoration myself was, oddly, a nice way of being able to reconnect with my grandfather.

Who are the people in the video?

My grandparents, and most likely other people involved in the American Legion, or similar organizations. The only people I recognize are my grandparents.

It's gorgeous footage, and very much captures another era.

It is! Kodachrome was a very beautiful film stock that, when exposed properly, could render very beautiful colors and images. The real disappointing thing to consider is how much film out there that's just like this, that people don't know what to do with, is just slowly rotting away in basements or attics. I wouldn't at all consider this footage he shot as rare or even particularly unique; a lot of people took these sorts of home movies during these eras. I'm merely in a unique position to be able to do this sort of work.

http://vimeo.com/30582217


http://www.theatlantic.com/video/archive/2011/10/1962-las-vegas-captured-in-a-dazzling-16mm-home-movie/247147/#.Tv5AYgYumYY.facebook

For more videos by Jeff Altman, check out his Vimeo channel.
Via Curiosity Counts.

Huston and Chaplin on Film Making



  • If you make movies about movies and about characters instead of people, the echoes get thinner and thinner until they're reduced to mechanical sounds.
  •       - John Huston




  • Life is a tragedy when seen in close-up, but a comedy in long-shot.
  •       - Charlie Chaplin

The changing film and tv industry...



The Summer Blockbuster Flop 

Steven Spielberg and George Lucas are warning that Hollywood is on the verge of a meltdown. They say that studios' reliance on big budget action movies could doom them.  And so far this summer, there have been six major flops. So is the movie industry going through some soul searching? 

George Lucas and Steven Spielberg launched the era of the modern blockbuster with their movies Star Wars and Jaws.  So people took note when last month they warned that Hollywood could suffer big for its reliance on huge action movies. Indeed, there have been six big budget flops in the last few months.  The latest -- R.I.P.D. which cost 130 million dollars to make and has earned just 23 million worldwide.

The number of people who could be put to work on lower budget and even large budget traditional films for the money it takes to make and market one blockbuster, Spielberg argues, could fund a new Genesis of film making and a new Golden Age for film.

The flops are films in the works from two to thirteen years. You cannot shift the industry on a dime.  And the industry focuses on television, games, theme parks, music, toys or products, and other revenue sources.

Breaking through the clutter is harder than ever before. There are many other intriguing alternatives for your recreational dollar, and your time. The younger, most sought after audience is even more cluttered with alternatives than those over 40. The add the larger number of films opening each weekend, and hanging on from previous weeks, and the movie going public has more choice then ever before.

In response studios are trying too hard to launch new big budget block busters in an age of DVD, Blue Ray, on-demand streaming and Netflix. But existing sequels are making money while new big budget gambles flop. 

Meanwhile low budget low humor films are breaking through on dimes for the dollar. 

Independent films are finding a niche, partly in theaters and partly in ancillary markets, such as on-demand and unit sales. But even the indys cost more to produce then ever before, at least those what gain theatrical release and are deemed worth the high marketing costs to launch in theaters.

Movies are green-lighted by committee, with the age of the mogul and the producer product centered break through are limited. 

Could it be marketing to the lowest consumer at the lowest taste and education level to guarantee maximum possible tickets sold?

Marketing cost has skyrocketed, with the global market the new primary target. So recouping the cost is double or even a much as five times the production costs.

It is difficult to sell audiences on traveling to a destination, risking neighborhoods or locations, putting up with poor service, cell phones in the theater and so on.....

The movie going experience needs an overhaul.

Meanwhile five years ago everyone was crying about the death of television, and now television is its most profitable ever, even being called the new Golden Age of Television. Even large Hollywood film producers and stars are now doing television, even down to obscure cable channels and gambles like Netflix and Amazon.

Small films are going direct to cable, Netflix or on-line distribution. They may not make tons of money, but they are profitable and often finance the next movie while keeping its creative staff in house and home.

Back to movies...the international market is now primary, with the entire international market being dwarfed by the growth of China as a market for films. Rural people are being forced to move to new cities, making non-traditional (read Western) entertainment a new market. 3D and iMax have an advantage, as those screens equal traditional screens in the "new China". The government distributes films, funds films and decides which foreign films get distributed, where and when. Production in China is growing, with American and International film companies investing heavily in the fastest growing production and audience in the world. China is number two to North America as the biggest grossing market in the world, due to overtake the US within six or seven years.

In terms of content humor, locations and "things" that may not be "legible" to the world wide market are being taken out of films, reducing dialogue, historic references from the US point of view, and strictly US cultural references.

The basic model of working within 'the industry' has changed, become more complex, with additional update work and expenses in 'specs', alternative finance and distribution options, the celebrity model, foreign pre-sales, studios as distribution partners or simply requiring you pay them to use their name, multi-platform marketing and much more.

This is a time of evolution, revolution and change in this industry. The digital revolution, the Chinese and foreign markets, shifts in cultural norms and beliefs, multi-liqualism, inflation is costs and the role of film and video entertainment in our cultures.

Can the movie theater's be saved?

Will there be television in its traditional network form in the future?

In a world where people watch or consume only what they want, will they be open to the variety and diversity of opinions that they were forces to be exposed to when there were fewer entertainment options?

What is the future of the movie business? Television? Entertainment?


From KCRWs to the Point and other research and notes....(click here for To The Point)
First published 9/6/2013

Remembering a true teacher, Mr. James Eithrheim

Teaching


To those who put down anyone who is not "acting" for a "living" I give you a profession that has a great impact on the arts than any single actor or so called "talent". Teaching.

My high school drama teacher James Eithrheim, in the early 1970's shown here inspiring actors at Oak Park and River Forest High School, instilled values, knowledge, a thirst for life and the need to experience life into his many students. 


Teachers do make a difference. 


In only the four years of his 30 year career, my fellow actors include at least one theater professor, an Academy Award Best Actress nominee, dozens of Tony's, many more Jeff's, artistic directors, writers, directors, producers and of course actors singing his praise, including at least one member of the Screen Actors Guild National Board of Directors, yours truly. 


From the voice of Homer Simpson to a Broadway musical star, Soap Opera award winners, and accolades on the London stage, his students have touched millions, each in their own way..


DO NOT LET EDUCATION AND THE ARTS BE CUT FROM BUDGETS...it makes a difference.

Posted 4-9-12 (Mr Eithrheim passed away days after this was posted)

 

 

On year ago today James Eitrheim, educator, has left this earth a better place for artists


This man inspired hundreds upon hundreds or actors to go with their hearts, whether they taught, took to the stage or became involved in other aspects of the industry, participated in church or community theatre or moved on in other ways to where their heart led them.

His students included actors who voice high profile characters in film and on TV, who have graced the New York and world stage earning major awards, who have been seen in film as stars and day-players, and who have graced the small screen from soaps and sit coms to weekly dramas.

The years I attended Oak Park and River Forest High School (1969-73) we were lucky to have four highly qualified theater instructors, with Mr. Eitrheim as department chair. A sample of students they inspired during my four years include the voice of Homer Simpson, a New York playwright, several university professors, many high school teachers, several broadcasters, Tony award winning actors, two soap opera stars, a New York City Prima Ballerina, and an Academy Award nominee.

I went on to be an actor, writer, marketing professional, journalist, broadcaster and to serve my fellow talent for 17 years on the National Board of Directors of the Screen Actors Guild, all indirectly from the passions fired in part by Mr. James Eitrheim.

A good man, a great teacher has left this earth.

-Art Lynch


James (Jim) Alden Eitrheim passed away April 16, 2011 at home surrounded by his family after a 5 month struggle with cancer. He was born Feb. 21, 1933 on a farm in Baltic SD. He graduated from Augustana College in 1958 after taking two years out for service in the United States Navy. Jim served aboard the destroyer USS Rowe. On August 17, 1958 he married his college sweetheart Diane C. Johnson. Jim received his Masters of Arts in the spring of 1959 from the University of Illinois at Urbana and in the fall of that same year he began a 31 year teaching career at Oak Park and River Forest High School, in Oak Park IL.

He retired from OPRFHS in the spring of 1990 and accepted a faculty position teaching theater at The University of Sioux Falls in South Dakota. Jim retired once again in 1998 after a wonderful 39 years in the teaching profession. In 2000 Jim and Diane moved to their current home in Pequot Lakes, MN.

He served for over 5 years on the Joseph Jefferson Award Committee in Chicago IL. In 1990 Jim was honored by his Alma Mater with their Outstanding Alumni Achievement and Service Award.

Throughout his life Jim has always been an active member of the Lutheran faith, serving on various committees and choirs. He is currently a member of Lutheran Church of the Cross, Nisswa MN.

Jim was preceded in death by his parents Dan and Selma Eitrheim, his brother Donald, and his niece Susan Lankford.

Jim is survived by his wife Diane, son Kristofer (Eileen) of Bettendorf IA, daughter Karin (Steve) Maas of Chanhassen MN, son Erik (Dawn) of Owatonna MN, brother Norm (Clarice) of Sioux Falls SD, sister Esther (Bill) Boadwine of Baltic SD, sister-in-law Joan Eitrheim of Crooks, SD. He rejoiced in the lives of his 5 grandchildren: Greta, Ingrid, Alec, Erik & Ava, and his 9 nieces and nephews.

A memorial service will be held at Lutheran Church of the Cross on May 7th 2011 at 1:00pm with a reception to follow.

Memorials are requested to the following funds:

The Jim Eitrheim Theatre Scholarship at Augustana College, Sioux Falls, SD

The James Eitrheim Award for Excellence in Dramatic Arts, Oak Park and River Forest High School, Oak Park , IL

Lighting for the Sanctuary at Lutheran Church of the Cross

Posted April 18, 2011

Disabilities are not a reason not to work in Hollywood, thanks to Joey Travolta


Inclusion Films opens doors in Hollywood

Inclusion Films Joey Travolta
Greg Donoghue grew up around film sets. His father worked as a film publicist in Europe and his uncle is Pierre Spengler, a producer of the "Superman" movies.

But the 30-year-old had never seriously considered a career in the movie industry until he got a chance to direct his own short-film called "Sunshine Manor," a love story about relationship between a nursing home patient and her doctor.

"It takes a lot of patience, and time is your worst enemy," Donoghue said of his directorial debut. "I'd rather build sets than be a director, but the experience is going to benefit me when I try to get an interview."

Donoghue, who was diagnosed a few years ago with a form of high-functioning autism, was among nearly two dozen special-needs crew members who worked on "Sunshine Manor." The film was shot over three days in Burbank this summer as a class project for a 20-week-long course offered by Inclusion Films.

Founded by Joey Travolta, older brother of actor John Travolta, Inclusion Films trains adults with developmental disabilities in the nuts and bolts of filmmaking -- from writing the script to building sets and using film and editing equipment -- with the goal of finding them jobs in the entertainment industry or some other field.

Students with autism, cerebral palsy and Down syndrome are trained by working cinematographers, set designers, actors and other professionals who are active in the industry.

"The filmmaking process is a great teaching tool about life," said Travolta, 61. "A lot of our students aren't going to be filmmakers and may never work in the film business, but they are going to be able to go into the workplace and have a sense of what it's like to be on the job. This builds their self-confidence."

Click read more below, or go to the LA Times Company Town blog (click here) to continue.


Based in Burbank, Inclusion Films works with Easter Seals of Southern California to provide jobs to graduates of the program and is in discussions with various studios to set up internship programs for the students, Travolta said. Many of the participants are referred by the nonprofit regional centers that contract with the California Department of Developmental Services to provide job training and other services for special-needs people.

"We've seen phenomenal things happen with the students in this program," said Mike Clark, executive director of the Kern Regional Center, which in the last three years has referred about 70 students to Inclusion Films' program in Bakersfield. "They see themselves as people who can do something with their lives."

Diane Anand, executive director of the Frank D. Lanterman Regional Center in Los Angeles, acknowledged the difficulty of finding work in the movie industry for special needs adults, but said the film workshops instilled confidence that helps graduates find jobs or pursue further education.
"This really resonates with our clients," she said. "They're learning how to interact in a real-world work environment and how to interact with their peers."

Travolta launched the Burbank business in 2006 after a long career as a singer, actor, director and producer. The Englewood, N.J., native briefly worked as a special education teacher in New York before embarking on a singing career in 1978, performing on such variety shows such as "American Bandstand" and "Donny & Marie," the show starring the two Osmonds.

Travolta went on to act in movies such as "Beverly Hills Cop III" and "Oscar" before shifting his attention to writing and directing his own movies, including "Enemies of Laughter" starring Peter Falk and the comedy "Partners."

The idea for Inclusion Films happened almost by accident. Travolta was helping his daughter organize a film festival at her West Hills high school.

After reading a newspaper article about his involvement in the school film festival and his acting workshops for children, the mother of an autistic teenage boy named Taylor Cross asked if he could help her son make a film about being autistic. Travolta mentored the boy and together they made the 2006 documentary, "Normal People Scare Me."

After his experiences working on the documentary, Travolta began to teach film to other autistic children at camps.

"I found my calling," he said. "This allowed me to merge two things that I really love: filmmaking and working with special-needs children and adults."

With the help of professional instructors, many of whom had worked with Travolta on his earlier films, students take classes in script writing, prop building, editing and cinematography, then apply what they learn by making an actual short film. One 2009 film called "Spud," about a 12-year-old victim of neighborhood bullies who reinvents himself as a superhero, was written and directed by Tyler Norman, a student with Asperger's syndrome.

Using his Hollywood connections, Travolta also brings in high profile speakers, including "Rain Man" writer Ron Bass and "Criminal Minds" star Joe Mantegna, to meet the students.

With the support of Inclusion Films, former student Michael Cooney of Boston launched his own production company, Team Diversity Media, which produces commercials and music videos with students from Inclusion. The company produced a promotional video for Easter Seals and the Chicago School of Professional Psychology.

After receiving a bachelor's degree from the University of Massachusetts in Amherst, Cooney worked at a radio station but had trouble finding permanent work because of his condition, cerebral palsy. He credits the workshops at Inclusion Films with giving him the confidence and the contacts to start his own business.

"I used to think that disability was something to hide," said Cooney, who also teaches at the school. "I learned that having a disability is a gift and that I have abilities I didn't even know I had before I came here."

Published 12-28-11

RELATED:
On Location: 'Tree of Life' protection designer Jack Fisk
On Location: 'Cars 2' production designer Harley Jessup hits the road
On Location: Venice rides Hollywood wave
-- Richard Verrier

From the LA Times Company Town blog (click here).
Photo: Joey Travolta, left, founder of Inclusions Films in Burbank, is joined by former students Michael Cooney, Joseph Geronimo and Hayk Galstyan, and current student Quinn Kieffer-Wright. They were photographed on a set built by the students for a short film production called "Love on a Train." Credit: Mel Melcon / Los Angeles Times.

Wednesday, November 27, 2013

Bob Marley documentary off to solid start at box office



Getprev
 Photo: Bob Marley in 1976. Credit: AFP.
 From the LA Times Company Town. Click here for the latest industry news.

More than three decades after his death, Bob Marley continues to fascinate legions of fans, as evidenced by the solid debut of a documentary about the reggae musician at the box office this weekend.

"Marley," directed by Oscar-winning filmmaker Kevin MacDonald, played in 42 theaters this weekend and collected a respectable $260,000, according to an estimate from distributor Magnolia Pictures.
Because the Rastafarian singer embraced marijuana, Magnolia decided to open the film on April 20, an unofficial holiday when many often gather together to smoke. The film was also made available to screen for $6.99 via Facebook that day, and fans could also rent it on video-on-demand platforms. On Sunday, the documentary was the No. 6 top movie rental on iTunes, behind far more commercial films like "We Bought a Zoo" and "The Girl With the Dragon Tattoo."

Neal Block, Magnolia's head of distribution, said he was hopeful that strong word-of-mouth and positive reviews would help the film "transcend being considered only a music documentary."

Indeed, music documentaries have had mixed success at the box office in recent years. In 2011, "Beats, Rhymes & Life," about the group A Tribe Called Quest, started with a strong $111,982 in only four theaters but eventually grossed only a moderate $1.2 million. "Tupac: Resurrection," a documentary about the late rapper Tupac Shakur, had more commercial appeal in 2003, when it ended up collecting $7.7 million.

 From the LA Times Company Town. Click here for the latest industry news.
Firs published 4-22=2012

12 Angry Men


"12 Angry Men" was shot in real time in a crowded conference room, just as depicted n the film. the film is a great study in conflict, conflict management, interpersonal communication, bandwagon effect and many other communication concepts. The tension was real and the acting impossible to beat. Great actors doing great work! -Art Lynch

Art Lynch Resume / CV


Art Lynch, Ph.D.

536 Sixth Street, Boulder City, NV 89005

(702) 454-1067 • (702) 714-0740 • (702) 682-0469 cell
http://artlynch.org



 Overview

Accomplished communications field professional with combination of academic and field experience. Experience with multi-cultural student populations and blended hybrid web-assist instruction, concentrated and full term instructions, high school and college. Field experience includes broadcast and print journalism, media, marketing, advertising and public relations, film industry and theater work; also organizational development, leadership and volunteer supervision experience. Teaching includes communication, critical thinking, film, media, marketing, education, theater, acting and related fields.

Education

PhD.(ABD) Education            estimated 2012

Capella University, Minneapolis, MN

Specialization: Professional Studies in Adult Education
     Relevant courses: adult education instruction and philosophy, distance education instruction and administration, curriculum design, critical thinking, evaluation and assessment (60+ credit hours).

Post Masters Certificate in College Teaching                                                                           October, 2008
Capella University, Minneapolis, MN
      On-line and classroom teaching preparation, design and assessment program

           

M.A. Communications            June, 2000

University of Nevada, Las Vegas
Thesis: The Performers Alliance: Conflict and Change Within the Screen Actors Guild.
Honors: Phi Kappa Phi, Theta Kappa, Lambda Pi Eta
     Postgraduate courses in a variety of fields (67 credits total) including theater (37 credits), communication, public affairs, public administration, media, and marketing.

Post Graduate Courses in Theater and Public Affairs            2001 to 2003

University of Nevada. Las Vegas
      MFA program track, performance, education, dramaturgy and research

B.A. Speech / Theater / Mass Communications / SDC      June, 1977
University of Illinois at Chicago
    Program /Operations Manager WUIC, Chicago, reporter for Chicago Illini
    Recipient of Theater Honors and Production Awards, academic honors and awards
    Communications Honor Society, Sigma Chi Eta, NAHS, NFL, Key Club, Deans Honors
    Faculty included Dr. Harry Skornia, media and international broadcasting scholar.
    Guest faculty included R. Buckminster Fuller, Studs Terkel and others for SDC program




Academic Teaching Experience
Adjunct Instructor            1998 to present
University and Community College System of Nevada, Las Vegas, NV
•     Includes Full time equivalency, 6 to 21 credit hours per semester at College of Southern Nevada.
•     Communication adjunct instructor at Southern Nevada College.
•     Courses Taught: Speech, Communication, Public Speaking, Interpersonal Communication
•     Teach regular semester and one month or 6 week long courses using blended environment including
      Blackboard. Web CT and Angel instruction to maximize student participation and teaching
      opportunities. Volunteer Communication Lab. Positive student and faculty evaluations.
•     Developed support and resource materials for online use to foster understanding of communication
      theory, models, public speaking including study reviews, links to primary resources and examples.
      Linked sections for larger study and resource “community.”
•    CSN 1998-2012, NSC 2013, Taught Contemporary Radio at University of Nevada, Las Vegas (2004).

Instructor                                                                                                                                   20011 to present
University of Phoenix, Las Vegas, NV
•    Teach various Liberal Arts as needed, including Film, Media, Critical Thinking, Communication

Part Time Instructor                                                                                                                        2009 to 2011
Everest College, Las Vegas, NV
•     Courses Taught: Speech, Communication, Public Speaking, Interpersonal Communication
 •    Teach overflow sections, so only as needed, not every term.

Instructor                                                                                                                                   20012 to 2013
Carrington College, Las Vegas, NV
•     Courses Taught: Speech, Communication, Public Speaking, Interpersonal Communication
 •    Medical students preferred instructor with medical background.

Instructor                                                                                                                                    2008 to 2009
Student to Teacher Enlistment Program, Las Vegas, NV
Undergraduate Program
Clark Country School District/ CSN / Nevada State College, Las Vegas, NV
•      STEP-UP At-Risk Student to Teacher Enlistment Project CCSD and CSN//NSC. Taught speech
       communications at several high schools in a supportive program designed to spark student interest in
       teaching career.   STEP UP is a collaborative effort of the college and school systems, which gives an
       opportunity for at risk students to attain a teaching degree with scholarships for tuition and supplies.
       A second goal of the program is to enrich the education experience at Clark County schools with a
       multi-ethnic teaching force that reflects the district’s diverse population



Other Teaching Experience
Arts Instructor                                              2008-current
Boulder City Parks and Recreation, Boulder City, NV   
•    Offering acting workshops for children and adults to community members.
•    Assisting with ongoing collaboration to develop living history, narrative theater with Boulder City
     schools, Bureau of Land Management and other community agencies.  Activities include research,
     writing, acting, teaching, and development of school curriculum.
                                                                                                            
Acting and Life Coach                                                                                                               2008-current
CastingCallEntertainment.com, Las Vegas, NV           
•    Coach acting and voice-over, children to adult.

Studio Casting, Las Vegas, NV                                                                                             1994 to 1998
•     Director of Education and Training
•     Established program from ground up including all acting and modeling courses and showcases.

Acting Instructor             1994 to 2008
Kim Flowers Talent Development Academy, John Robert Powers Intl. / Style Entertainment,
Las Vegas, NV
•    Taught audition, scene, improv, and industry knowledge, competition preparation for beginning to
      Elite students for film and commercial work. Coached working actors and business community.
•     Developed curriculum for commercial and acting for camera classes, requiring establishment of
      requirements and goals in stepped programs established for beginning, intermediate and advanced
      students. Crafted and implemented assessment for student advancement and faculty evaluations.


Acting Coach            1984 to current
•    Teach various private and group classes in theater, film, television, commercial, event, spokes-
     modeling, voice over, and character voice. Adapted to each student and group as needed.

Instructor             1984 to1987
Las Vegas Business College / Phillips College
Courses taught: Marketing, Advertising, Public Relations, Communications, English.



Related Professional Experience

Announcer, Producer, Host            2000 to present
Nevada Public Radio (KNPR/KCNV/network), Las Vegas, NV
•    On air / live hourly announcements during programs, responsible for programs and underwriter
     broadcast within scheduled timeframes, news, promotions, troubleshooting of engineering problems.

Advertising Agency / Communications Consultant             1990 to 2002
A Personal Vision / Creative Communications  (owner), Las Vegas, NV           
•     Provided advertising, marketing, public relations, creative directing, media planning and account
      supervision consulting to wide variety of clients.
•     Clients included Canyon Rent to Own, Hammargren for Lt. Governor (successful), retail and
       professional clients, entertainment industry.
•     Produced, directed, supervised and/or wrote commercials or videos, plus print, web and other
       advertising resulting in awards, response and image recognition for clients.
•     Member Better Business Bureau (maintained to current) and Chamber of Commerce.

Advertising Manager, Marketing Director            1984 to1991
Canyon Rent To Own           
•     Locations in Nevada, Hawaii, Utah, California, Florida, Guam, Massachusetts, and Arizona.
•     Developed successful marketing plans to expanded market recognition and share resulting in “Top of
      Mind” status in all markets. Produced award-winning advertising with direct response impact.

Broadcaster, Journalist, Talk Host, Consultant                                                                             1977 to 2000
•     Award winning reporter and correspondent in diverse markets.
•     Includes Group W Westinghouse Chicago (WIND), Intermountain Radio Network/ABC, UPI, AP,
      Nevada Public Radio, various stations (CA, WY, IL, NV), Chicago College Radio Network.


YEARS Experience

20 years            Broadcaster / Journalist (full and part time, Chicago, Wyo, CA and NV)
19 years            SAG and SAG-AFTRA National Board Director (part time)
14 years            Leading various volunteer organizations and coordinating volunteers
14 years            College instructor (adjunct, part time and full time equivalent)
14 years            Advertising and Marketing (full time)
Other            Actor, director, artistic or creative director, president, producer, writer, voice-over, script supervisor, Production Assistant in film, television, commercial production and theater. Durations vary. Skills are cumulative.





Screen Actors Guild (1994-2012) /

SAG-AFTRA (2012-current)

Elected Positions:
1995-current            National Board Director Screen Actors Guild, now SAG-AFTRA (member elected)
2009-2012       Regional Branch Division Executive Committee Member (by Division Board)
2001-2012            Co-Chair, National New Technologies Committee (by National Bd, Ntl. President)
2009-2012            Co-Chair, National Website Subcommittee (by Ntl. President, Com Chair)
2004-2008          Co-Chair, National Communications Committee (by National Bd. & Ntl. President)
2004-2009          Co-Chair, National Background Committee, Regional Branch Subcommittee
2001-2003       Chair, Standing Trial Board Committee, Nevada Branch (by Nevada SAG council)
1999-various            Chair Election Nominating Committee for Nevada (by Nevada SAG council)
1998-2011             National Communications Editorial Supervisory Committee (by RBC)
1997-2001             National Nominating Committee (by Regional Branch Conference)
1997-2001             8th National Vice President Nominating Committee (by RBC)
1995-1996             Nevada Branch President (by membership in Nevada)
1994-1995             Nevada Branch Vice President (by membership in Nevada)
1990-1995             Nevada Branch Council Member (by membership in Nevada)

SAG National Presidential Appointed Positions:
2011-2014            SAG Military Personnel and Families Support Task Force
2007-2009            New Media Task Force, co-chair (by Ntl. President, committee sunset 2009)
2006-current            Honors, Tributes and Awards Committee
2005-current            National Equal Ethnic Opportunity Task Force
2004-2006            National Spanish Language Media Task Force
2002-current            National Right-to-Work Presidential Task Force
            1999-current             Web Oversight and Steering Committee
            1999-current             Editorial Sub-Committee
1998-current             New Technologies Committee, (co-chair 2005-current)
            1998-current             Communications Steering Committee
            1998-2008            Merchandising and Marketing Sub-Committee
1995-current             Communications Committee (co-chair 2001-2004)
1999-2000             National Contract Adjustment Committee
1995-2002             National Conservatory Committee (co-chair 1998-2000)
1995-2002             Young Performers Committee
1995-1996            National Executive Search Task Force
1997-2000          Guild Government Review Committee
2002-2013            Various Indy Outreach, Low Budget, Documentary, Merchandise, New Member Orientation, Steering, Health Care Task Force, Dancers, Global Rule One, New Technology, various as member or alternate (as needed by Guild)

SAG Nevada Branch Appointments:
2000-2010            Chair, Legislative Committee and Political Affairs
Various             Chair of Standing Trial Board and Investigative Committees
1998-current             Communications Committee Chair
1996-2003          Wage and Working Conditions (Vice-Chair)
1992-current             Nevada Actor Newsletter Editor
Various            Nominating Committee Co-chair (except years up my seat up)
1993-2001             Chair and Director of SAG Nevada Conservatory Program
1994-1995          Executive Search Committee Chair


 

Communication industry experience
Extensive broadcast and print management, journalism, talk host, operations, news director, producer, talent, film and television (various). Employers include Group W, UPI, ABC/IMN networks and various stations or employers.  Worked with Eddie Schwarz, Clark Weber, Larry Lujack, Michael Neff, others.

Marketing including public relations and public affairs, including University of Illinois Medical Center (internship), A Personal Vision/ Creative Communication, Canyon RTO, theater events, various clients.

Various motion picture, television, on-line and theater production experience including: Hearst Entertainment, Ted Mikels /TVM Global (Script Supervisor), Creative Communication, UIC, Biograph.


Information and Entertainment Industry
Screen Actors Guild: National Board Director, 14 years + (see supplement in C/V)
Talent: Actor, Voice Artist, Singer, Writer, Producer, Director, Coordinator, various productions
Production: Creative Communications / A Personal Vision: commercial producer, director, and writer
Educator: Coach acting, voice, theatre, and film at Kim Flowers, JRP, Studio Casting, Casting Call.
Broadcaster: Producer, director, host for entertainment centered talk radio and news
Manager: Radio Operations, News, Programming, Theater Founder, Artistic Director, film/tv/commercial producer, director, writer, casting director, script supervisor. Volunteer coordination for SAG-AFTRA committees as chair, SAG Nevada Conservatory, various theater groups, WUIC radio

Professional Associations
National Communication Association
The American Communication Association 
National Forensic League 
Sigma Delta Chi /Society of Professional Journalists
Phi Kappa Phi Honors Society, Baton Rouge, Louisiana (April 28, 2005)
Professional Audio Visual Communications Association, President 1986-93; VP 1985-86

Service Work

Board of Directors (working board) Dam Short Film Festival, 2008-current
Announcer and Host of Nevada Recreation and Park Services On-Site Institute, 2009
Founder and President of Us Company, Boomtown Players, Vintage Theater, others (various years)
National Board of Directors, Screen Actors Guild 1996-current, currently co-chair on New Technologies Committee and New Media Task Force, active in Communications, Young Performers, Right-to-work, Organizing, Web, and Background Performers (see Screen Actors Guild section) 
President, Nevada Branch of the Screen Actors Guild 1995-96; VP 1994-95, Council 1990-95
Founder / Director / Chair, Screen Actors Guild Nevada Conservatory 1994-2004
Editor, Nevada Actor 1990-2001       Editor, CDW News 1985-87      Editor, AdAGlance, 1991-94
Reader, Radio Reading Service for the Print Impaired, KNPR, 1993 to 2006
Board Member, Las Vegas Ad Club 1986-93, Publicist and/or Newsletter Editor 1986-1995
Chair of the National Tourism Awareness Week Logo Contest (NV/Chamber) 1992-93
Us Company Theater, 1972-1977, (cast included Dan “Homer Simpson” Castenelatta, Mary Elizabeth Mastrantonio, Dale Calandare, Sean & Trish Grennan, other international award winning talent),
Founder, President, Director or Producer volunteer theater projects, 1973-2006
Produced election coverage, UICC 10th Anniversary Concert and other events WUIC 1974-1977
Program & Operations Manager / Organized and Supervised volunteers at WUIC, Chicago 1974-1977
Professional Awards
APRO Awards (national) for Canyon Rental, 1995, 1996, 1997
Telly Awards (International and National) for Canyon Rental, 1995
Addy Awards of Excellence for Young People Inc. for TV under $2,000, 1993, YPI. for TV Campaign,
1993, Hammargren for Lt. Governor, Campaign 1994, 1995 Hammargren for Lt. Governor, TV under $2,000, 1994, 1995
IABC Award of Excellence for Ad A Glance Newsletter, GLVAF / Las Vegas Ad Club, 1990, 1992           
AP California Spot News Awards, 1983, 1984; AP California Small Market News Station of the Year, 1983, AP Instant News Award (national), 1981 / Special Event Coverage Award (regional), 1982
Wyoming Association of Broadcasters Station of the Year, 1979, News Station of the Year, 1979, 1981
Program of the Year, 1980, Special Event Coverage, 1981
Associated Press (Rocky Mountain and Wyoming), News Station of the Month (numerous), 1978-1981
              Station of the Year (Wyoming), 1979
United Press International (Rocky Mountain Region) Correspondent of the Year, 1979 Rocky Mountain
              Spot News Award, 1980
Inter Mountain Radio Network / ABC Station of the Year, 1979, Spot News Awards, 1979-1981
Chicago Broadcast Association Awards coverage of the 10th anniversary of UIC and election coverage. 
Who’s Why Among America’s Teachers 2005
Chancellor’s List, 2005 (among others)
Nevada’s Most Distinguished several years
Who’s Who and Equivalent 1973-current  (several categories)

Technical Skills
Experience with WebCT 4.1.5, Blackboard/Web CT CE 6.2, BlackBoard Learning Systems, Angel, Virtual College, MS Word, PowerPoint, MS and Mac, broadcast video and audio, technical theater.

Training as Script Supervisor, Dramaturge, Trainer, Continuity, Voice Artist, Actor, Singer




Current Professional / Academic References

KNPR/Nevada Public Radio, 1289 South Torrey Pines Drive, Las Vegas, Nevada 89146
David Becker, Program Director, davebecker@knpr.org
Casting Call Entertainment, Sharry Flaherty, noreply@callbacknews.com, 702-369-0400
Boulder City Parks and Recreation, Patty Sullivan, psullivan@bcnv.org (702) 400-3254 / 294-0335
Kim Flowers International / JRP, Kim Flowers (702) 296-1042 / 872-2227
Nevada State College, Gen Sharp, Gwen.Sharp@nsc.edu, (702) 992-2645



Hank Greenspun School of Communications / Journalism and Public Relations, 
College of Fine and Performing Arts / Graduate College
University of Nevada, Las Vegas
4505 Maryland Parkway, Las Vegas, NV 89154           

Richard J. Jensen, Prof. Emeritus, (505) 797-4530.
Dr. David Henry, Director, Greenspun School, dhenry@unlv.edu (702) 898-3030
Dr. Jeffrey Koep, Dean, Fine and Performing Arts, jkoep@unlv.edu (702) 895-4210

Community College of Southern Nevada,

3200 E. Cheyenne, North Las Vegas, NV 89030
Angela Holland, Lead Faculty, Angela.Holland@csn.edu (702) 651-5983
James McCoy, Communication Department Chair, James.McCoy@csn.edu. (702) 651-3550
Dr. Tim James, Communication Department past Chair, Tim.James@csn.edu, (702) 651-7571


Personal References

Hrair Messerlian, former SAG NV Executive, hrair_messerlian@sbcglobal.net (559) 433-6870 home
Tony Bonnici, VP / GM, Lotus Broadcasting, (702) 876-1460 / 433-5881
Don Brakeman, actor, donbrakeman@sbcglobal.net, (702) 493-7729
Sandy Lukasik, SAMMIE357@aol.com (630) 357-3767 home
Ray Spinka, teacher / actor / retired LA County Probation Officer, fspinka@yahoo.com, (909) 796-7436
Jim Austin, Broadcaster  (GM/OM/PD/SM), resqd1@bellsouth.net  (704) 947-3345 / 578-4465/ 578-5464

Lollo Sievert, actor / SAG / web designer / SAG Nevada, lollo@mrgwell.com


''Part of teaching is helping students learn how to tolerate ambiguity, consider possibilities, and ask questions that are unanswerable.''

- Sara Lawrence Lightfoot