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Sunday, April 27, 2014

Film Basics pt 1

Intro to Film pt I notes

In this and other publications, the term mise en scène signifies the major aspects filmmaking shares with staging a play. It refers to the sel setting, subjects, and composition of each shot. Normally in complex film productions, the director makes final decisions about mise en scèn 

■ A setting is the place where filmed action occurs. It is either a set, which has been built for use in the film, or a location, which is any plac than a film studio that is used for filming. 

■ Depending on the needs of the scene, settings may be limbo (indistinct), realistic, or nonrealistic. 

■ A setting can be the main subject of a shot or scene but usually is not. Settings often reveal the time and place of a scene, create or inten and help reveal what people (in a documentary film) or characters (in a fictional film) are like. Throughout a film, changes in settings can al changes in situations and moods. 

■ In films, fictional characters or real people are the usual subjects, and their actions and appearances help reveal their nature.

■ Performers may be stars, Method actors, character actors, or nonprofessional actors. There is some overlap among these categories: a st 

example, may also be a Method actor. Depending on the desired results, actors may be cast by type or against type. ■ Usually film actors must perform their scenes out of order, in brief segments, and often after long waits. 

■ Effective performances may depend on the script, casting, direction, editing, and music. There is no one type of effective performance: w judged effective depends in part on the viewers’ culture and the film’s style or its manner of representing its subject. 

Composition: The Uses of Space 
■ Filmmakers, especially cinematographers and directors, decide the shape of the overall image. They also decide how to use the space wit image. They decide when and how to use empty space and what will be conveyed by the arrangement of significant subjects on the sides of in the foreground, or in the background. Filmmakers also decide if compositions are to be symmetrical or asymmetrical. 

■ Composition influences what viewers see positioned in relationship to the subject and how the subject is situated within the frame; what in revealed to viewers that the characters do not know; and what viewers learn about the characters’ personalities or situations. 

■ Many films are seen in an aspect ratio (or shape of the image) other than the one the filmmakers intended, and the compositions, meanin moods conveyed are thus altered. 

Mise en Scène and the World outside the Frame
■ Mise en scène can be used to promote a political viewpoint or commercial product (the latter practice is called product placement). 
or a text (such as a film). It can also be used to pay homage or tribute to an earlier of one. 


The section of settings, subjects and composition in film is referred to as mise en scene, or the directors’ choice.

A setting is a place where the filmed action occurs.

The scene is a section of the action, often separated from other sections by location and/or the narrative.

The take is one shot of one section of a scene.

Settings may be limbo (indistinct), realistic or unrealistic.

Throughout the film changes in settings may reflect changes in character’s emotions, moods, situation, position in the story arch, and / or specific story points.

Subjects may be the actual people (documentary), characters, topics, overall meaning, or topics of a project.

Performers may actors or real people who advance the story line, help us to understand the subject or provide other on an off camera services using their voices, actions, images or performance talents.

Films are made out of sequence, usually based on using a location or being close to other locations to reduce set-up, travel and other production costs.

Films are an ensemble product, with many artists and technicians contributing. Films depend on writing, directing, casting, cinematography, video shootists, editing, computer and other effects, Foley, lighting, sound, set designers, continuity, actors (or talent), costumer, make-up, researchers, crew, transportation and all tied to budget.

Usually the editor and/or director, and/or producer are responsible for the final product.

Composition: the use of space.

Shaping the overall image to tell a story, paint and emotion or have the desired effect, overall for the film, scene-by-scene or even frame-by-frame.

Aspect Ration: the final image height and width as a ratio.

Mise en Scene can be used to promote political viewpoints, in advertising, advertising product placement, in comic contrast, to parody human behavior, to parody text or content, and/or to pay homage or tribute.

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