SAG Nevada Members, I am asking for your vote.

ART LYNCH TO THE NATIONAL BOARD.

There have been inferences that I am not an actor, that I do not have the national experience (Chicago, LA, and other markets) that I do have, and that I am not qualified for an office I now hold. 

I have a strong proven track record and am in the position to make things happen for Nevada and for the membership.

I have major training and experience as an actor.  

I meet as an equal with fellow board members, management and others in the industry. I understand the industry.

As your national board member I have achieved great things for Nevada and the membership. 

I would like to make it clear, as the immortal Popeye once said "I yam who I yam" and everything I say or teach is real. 

I am an actor. 

I have worked great opera houses and tiny basement theatres, large budget films and small independents, commercials and industrials as an actor, voice actor and as background.

I am an actor who knows that SAG is a union and that it is vital for members, the profession and for Nevada. 

Not everyone receives a standing ovation from those who represent the branches in the big room. I have.

I fight for Nevada, Nevada's membership and I am in a position, as regional and national leadership, to be listened to and to work for and protect our branch. 

Hard for me to write this since I prefer my light be kept under a bushel. After all, it is the membership that counts and the membership I represent. I am not out for self gain, ego or the false perception of advancement. I am out to continue to fight for Nevada and for our membership. 

I am asking you to call and in every other way you can generate votes for my candidacy for returning to the National Board. It is very important for Nevada (although my wife Laura would be happy either way, as the Guild takes up ten to as much as thirty hours a week of unpaid work….worth every second!).

I am an active board member as any of the people below will testify, effective for Nevada and the membership. My local and national support goes well beyond the list below, to include current and past presidents, board members, leadership, executives and those with the power to make a difference.

I work with others to gain for all members, including the only expansions of background zones during the last three contracts, landing a local boots on the ground executive in Nevada, attracting production under multiple contracts that hire my fellow actors, and all without personal gain or illusion of gain. It is for unionism and our membership.

I am a classically trained actor with hundreds of theater, film and audio roles, from Chicago to California, Wyoming to Nevada. I worked with the stars of film, television, stage and opera. I was a proud member of both SAG and SEG when SAG was forced to absorb the Screen Extras Guild. I met my opponent when he was still non-union as a background artist. I teach acting and have taught acting for over 20 years, and have coached my entire life. 

My friends and actors I have worked with, not rubbed elbows with but actually worked with, are on Broadway and in San Francisco, Los Angeles and Chicago and every city in between.

This helps greatly in gaining the best for Nevada in the board room.

I am asking of your vote and the votes of anyone else you pass this message on to.

Feel free to call any national board member, current or past, for honest feedback on who I am and what I do.



-Art Lynch

Createcom@gmail.com    (702) 714-0740   http://artlynch.org

Survey’s surprising finding: tea party less popular than atheists and Muslims

Tea Party supporters have slipped to 20 percent, while their opponents have more than doubled, to 40 percent. - New York Times

yahoo! news (click here)

By Rachel Rose Hartman

Political Reporter

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A Philadelphia tea party rally July 4 (Joseph Kaczmarek/AP)

In an op-ed article in the New York Times, Robert D. Putnam, a professor of public policy at Harvard, and David E. Campbell, a political scientist at Notre Dame, say they have collected data indicating that the tea party is "less popular than much maligned groups like 'atheists' and 'Muslims.'"

But Campbell says the tea party was really an afterthought in their research.

"We didn't go into this study to look at the tea party," Campbell said in an interview with The Ticket.

The professors were following up on research they conducted in 2006 and 2007 for their book "American Grace: How Religion Divides and Unites Us" and decided to add the tea party and atheists to their list of survey queries. By going back to many of the same respondents, the professors gleaned several interesting facts about the tea party.

One of their more surprising findings, Campbell concedes, (and one drawing national attention) is that the tea party drew a lower approval rating than Muslims and atheists. That put the tea party below 23 other entries--including Barack Obama, Sarah Palin, Republicans and Democrats--that the professors included on their survey of "a representative sample of 3,000 Americans."

By examining which respondents became supporters of the tea party, Campbell and Putnam's survey "casts doubt on the tea party's 'origin story,' " they write in the Times--though, in fairness, it's perhaps difficult to generalize on the movement's origins from a poll sample of 3,000 respondents.

Early tea partiers were described as "nonpartisan political neophytes," Campbell and Putnam write, but their findings showed that tea partiers were "highly partisan Republicans" who were more likely than others to have contacted government officials.

"They are overwhelmingly white, but even compared to other white Republicans, they had a low regard for immigrants and blacks long before Barack Obama was president, and they still do," they went on.

In addition to being socially conservative, the study found  a close tie between religion and the tea party, whose supporters seek out "deeply religious" elected officials.

"This helps to explain why candidates like Michele Bachmann and Rick Perry are just as much about the public presentation of themselves as religious people as fiscal conservatives," Campbell told The Ticket.

Campbell said Tuesday that he does not regard his research as politically motivated.  "I don't have a particular dog in this or any other political fight," he said.

"We actually didn't go into this study primarily to look at the tea party," he told the Ticket. "The primary purpose of the study is to update what we learned about religion in America."

A different Martian Chronicles

‘John Carter’: A devoted fan chronicles his own martian fascination

July 17, 2011 | 10:47 a.m.

GUEST ESSAY

The first trailer for Andrew Stanton’s “John Carter” has arrived to introduce a century-old bookshelf hero to today’s moviegoers. The character created by Edgar Rice Burroughs (who also created a certain jungle hero) has never really gone away but Disney knows one challenge for the expensive new fantasy epic is to tap into the brand’s heritage but also make the property feel fresh and cutting-edge. Juhani Nurmi, a Finnish journalist and screenwriter, is one of the longtime fans of the Burroughs books who believes that the warlord of Mars is ready for his moment in the 21st century spotlight.

From the LA Times Hero Complex. Click here for more. Personal note, I grew up blocks from where these books were written, in tree lined Oak Park, Ill. - Art Lynch

In the late 1970’s, when I was still a wide-eyed kid watching TV series like “Six Million Dollar Man” and “Space: 1999,” as well as movies like “20,000 Leagues Under The Sea” and the early James Bond entries at the cinema, a very good buddy of mine visited me one day. With a knowing smile, he lifted a set of well-worn books from his school bag. I must’ve been around 12 years old at the time, with testosterone, fears and dreams kicking on overdrive. My buddy was 14, and he’d already turned me on to J.R.R. Tolkien’s “The Lord of the Rings.” But how on Earth could the Tarzan author’s pulpy sci-fi fantasy series even dream to compete with Tolkien’s mastery?

An early Frank E. Schoonover cover for Edgar Rice Burroughs' "A Princess of Mars" (1912).

Well, it rocked my world. Maybe it wasn’t as cultured or finely tuned as Tolkien’s, but I’m telling you: I’m still reeling from the experience, at the age of 45. If you love fantasy, pulp sci-fi and yarns crammed with all kinds of derring-do and swashbuckling, these books have it all – and then some. As I browsed through the elegant cover illustrations, I was instantly hooked by their Space Gothic imagery. Most importantly of all, the imagery spoke to me on a deeply personal and atavistic level. I was gawking at half-naked male warriors fighting to save voluptuous damsels in distress, Mad Scientists surrounded by bizarre contraptions, black-hued villains with ivory-toothed leers and fiendish noblemen wearing bright yellow hairpieces, all of them plotting to eliminate the main hero. Somehow, I knew instantly that I also wanted to co-habit that most elusive of alien worlds, Barsoom, the “Mars That Never Was.”

Obviously, I’m talking of “A Princess of Mars” and its ten literary sequels, perhaps more widely known as “The John Carter of Mars” series. However, this series (which according to some was Edgar Rice Burroughs’ personal favorite of all of his literary creations) isn’t really that well known in popular culture, not to mention the younger generations. This is very important to point out these days, since right now one of Pixar’s best and brightest, Andrew Stanton, is adapting the first novel, with the title “John Carter” (recently shortened from “John Carter of Mars”). The movie will open in March 2012. We only had to wait an entire century for it.

Frank Frazetta's cover for the 1970 Doubleday edition of "A Princess of Mars."

Despite its less than PC world view (“A Princess of Mars” saw first light in 1912), Burroughs’ rousing tale still ought to be pure dynamite on the screen: A Civil War officer fights Apaches in Arizona, and gets inexplicably teleported to Mars (a.k.a. Barsoom) after getting wounded. Once on Barsoom, Capt. Carter, miraculously healed – but not bound by the planet’s natural ultra-light gravity – doesn’t waste any time making larger-than-life friends and lethal enemies. He ultimately wins the heart of a gorgeous Martian princess (Dejah Thoris of Helium), and fights all kinds of monsters alongside an enormous, six-armed Green Martian warrior (the fiercely loyal Tars Tarkas), only to end up becoming “the finest swordsman on two worlds.”

But Barsoom is also a dying world, as its fauna and sentient life are sustained only by the Atmosphere Plant. The ending leaves the reader with a tantalizing, infuriating cliffhanger, leading to the inevitable sequel, “The Gods of Mars.” So, will the brave Barsoomians survive, and what will happen to the two lovers, John Carter and Dejah Thoris? If you haven’t read the books, my lips remain sealed.

"John Carter: Warlord of Mars" (Marvel Comics)

I still think that the sword fights depicted in the John Carter books are the most rousing and riveting I’ve ever seen or read, either on the page or the screen. A sword duel in the John Carter series is often like a hypnotic dance of death, where John Carter and his nefarious opponent first taunt and complement each other (a cat-and-mouse game in its purest form) until inevitably, Carter gets fed up, and skewers his overly arrogant enemy with his long-sword.

The John Carter aficionados know that Walt Disney himself had serious plans to make a John Carter animated movie in the 1930’s. Animation maestro Bob Clampett (working closely with Burroughs’ son, John Coleman) produced some spectacular footage, which impressed producers and exhibitors alike. But that project was never to be, alas. The cost of making even one John Carter movie, with six-armed Green Men and multilegged Thoats (Martian horses), would’ve been prohibitive in the Depression era. But imagine, if A Princess of Mars would’ve been released before Disney’s Snow White and the Seven Dwarfs (1937), and thus become the first American feature-length animated movie? The mere thought is mindboggling.

"John Carter of Mars" vintage comics, reprinted (Dark Horse Comics)

They tried to make a live action John Carter movie in the 1980’s and the 1990’s, all the way into 21^st century. Hollywood directors including such talents as John McTiernan, Robert Rodriguez, Kerry Conran and Jon Favreau were heavily involved. Ultimately, each of the aforementioned filmmakers had to witness, disillusioned, how the plug was pulled from their respective productions. Harry Knowles, the founder of the hugely popular Ain’t It Cool News website, was one of the key media personalities who urged Tinseltown players to recognize the unique qualities of E.R. Burroughs’ original pulp sci-fi material. After all, even George Lucas and Frank Herbert had cherry-picked elements from Barsoom for their works (Star Wars, Dune).

Poster for Andrew Stanton's "John Carter." (Walt Disney Studios)

A few years before Andrew Stanton started filming, he readily admitted: “John Carter will either make or break me.” For months, little was known about the under-wraps production, which shot in London sound stages and the Utah desert last year. Supporting actors such as James Purefoy (playing the heroic Kantos Kan of Helium) and Mark Strong (playing the main villain of the piece, Matai Shang) have lauded Stanton’s craft in interviews and said that movie audiences can look forward to something very special. I think that Strong’s comments about male warriors wearing “helmets with wings” speaks volumes about Stanton’s uncompromising eye for beautiful details in John Carter. I also hear there’ll be a lot of sword-fighting in the movie. Princess Dejah Thoris herself will wield a sword in a lethal manner! Guess what, that’ll earn an extra rating star in my book. The shooting part wrapped early last summer, whereas the postproduction – or, as Stanton puts it, “digital cinematography” – continues until early 2012. That’s when the Green Martians, the Great White Apes, the grand cities of Helium and Zodanga will finally come to pristine, digital life.

John Carter is played by Taylor Kitsch and Dejah Thoris is portrayed by Lynn Collins. (A tidbit: Both actors were seen in “X-Men Origins: Wolverine” two years ago). Perhaps my favorite Barsoomian character, Tars Tarkas will be brought to life by Willem Dafoe, one of the finest character actors in the known universe. The latest version of Performance Motion Capture (which brought us special effect tentpoles like Gollum and the Na’vi) will help Dafoe with his unearthly performance and translate it into photorealistic CGI.

John Carter was an essential part of my childhood. It still occupies a sizeable amount of my daydreams. In my mind’s eye, I’m already watching Andrew Stanton’s John Carter adaptation in a packed theater. While doing so, I find myself enjoying it as much as “Star Wars” or “Raiders of the Lost Ark.” I owe those two movies my entire career as a film journalist, but long before I sat in the dark with those adventures my heart belonged to Barsoom.

–Juhani Nurmi

RECENT AND RELATED

‘John Carter’: Andrew Stanton on Martian history

‘Tarzan and His Mate,’ the ‘Avatar’ of its era?

Tarzan and the jungles of time

Moebius: The Hero Complex interview

Keanu Reeves looks for heart of ’47 Ronin’

Sean Bean: ‘Life keeps putting a sword in my hand’

Ron Howard’s plan (and passion) for ‘Dark Tower’

‘Flash Gordon,” reconsidered

Guillermo del Toro: Frazetta’s pantheon

Harrison Ford: Today’s sci-fi films are soulless

Spielberg looks back on “Raiders”

MORE IN: BOOKS, COMICS, ANDREW STANTON, DISNEY, EDGAR RICE BURROUGHS,JOHN CARTER, JUHANI NURMI

From the LA Times Hero Complex. Click here for more. Personal note, I grew up blocks from where these books were written, in tree lined Oak Park, Ill. - Art Lynch

Marwencol

A film that sticks to your ribs, the story of Mark Town who used his art to recover from a traumatic attack and almost fatal beating, left with brain damage. He built a World War II Era town using dolls to play out a dramatic tale, a living graphic novel of WW II fiction, crafted in detail by his creative mind; his vast, rich imaginary world. Well reviewed and award winning, the film earned praise but little distribution. Jeff Malmberg and Chris Shellen, the filmmakers behind the much loved but little seen documentary Marwencol, won a $50,000 grant from Film Independent to "find its audience."  Now with the help of people like Sue Kroll, head of worldwide marketing for Warner Bros, they're looking at ways to get Marwencol in front of audiences who will appreciate it. Malberg's wife discovered the film. Kroll and others involved call it "tragic, redemptive, wonderful, haunting, inspiring, and moving." The film covers hate crimes, art, art therapy, disabilities, stigmas, creativity, The marketing plan includes art gallery screenings, very specific communities (including the metal health community), the lecture circuit, film series, Internet and DVD (April 12 release date).


Be whatever you want Vimeo, click here.


Trailer for film. click here.

Wikipedia, click here.


IMDB click here.


About.com ciick here.


Rotten Tomato's Review, click here.

To listen or for more go to KCRW's The Business by clicking here.


For more on the industry and business go the the LA Times Company Town blog.